OK, shiny new CD arrived today, and...
Well before I give my initial impressions I have to say that Goldfrapp, like Elbow, have earned a huge amount of goodwill from me over the years so whilst having high expectations, I am predisposed to liking anything Alison and Will make. With that in mind...
Head First certainly isn't Seventh Tree. It also doesn't have any of the cinematic masterpieces like "Pilots" or "Time Out from the World" that they do so well and I love so much. No, Head First is day-glo, hands in the air, happy pop, all fat Moroder synths and Hi-NRG bass. Sound a bit 80's? You bet.
1st track "Rocket" opens like Ladyhawke, but then the full "Jump" synth line kicks in, and the whole thing is just so propulsive, retro, artificial and yet joyous that you can't help but be carried along. Alison is obviously in a happy place, and you can hear that on the album. I love it, but might just as easily hate it next week.
"Believer" is all Depeche Mode style synths with a big (more accurately, absolutely massive) Fleetwood Mac style chorus. I like this too, for now.
Track 3 - "Alive". A bit more 70's than 80's this. Think ABBA versus ELO. Seriously. It should be awful, but maybe my critical radar is shot because of Alison's voice cos I like this too.
Track 4 - "Dreaming" - and a return to the 80's Fleetwood Mac style choruses.
The title track - bloody hell - who put an ABBA song on there? Possibly the best ABBA song ever, but still...
Melodically there are hints of "Seventh Tree" in here, which is nice.
Track 6's title - "Hunt" - sounds like it could have come from "Black Cherry" and the track certainly harks back to that album too, a bit darker, a bit sexier, a bit more Goldfrapp to be honest. Still in thrall of the 80s though.
"Shiny and Warm" also has echoes of Goldfrapp's past, this time Supernature. Squelchy and bouncy bass lines are almost childlike, Alison's breathy vocals are most definitely not. Good fun
Wooah, here come Fleetwood Mac again. Mrs K is gonna love this, she has a soft spot for the Mac. "I Wanna Life" (awful title) is shameless, euphoric and catchy as hell.
The album ends with "Voicething" which is all looping sounds, atmosphere and ethereal voices, carried on a synth pulse to outer space.
And that's it. A 37 minute rush of primary colours, determinedly retro beats and fun. It has none of the po-faced seriousness of, say, Delphic, it is just a sugar rush of an album.
In other hands Head First could be awful, but Will and Alison manage to fit just enough "otherness" and Goldfrapp sensibility into proceedings to create an enjoyable experience.
It frankly knocks the Goldfrapp wannabes such as La Roux and Little Boots into next week, but is still Goldfrapp's weakest record so far.
Without doubt the best 80's inspired pop record to date. The only trouble is do we really need another one of those?
I like it though.